The Ultimate List of Submodalities & How to Use Them
- Happy & Authentic
- Emotions, Happiness, Modalities, Physiology, Self-Development, Self-Improvement
- on Apr, 23, 2017
- No Comments
If you came here after watching my video about using modalities to control your emotional responses, you can find the complete list of all submodalities according to their dominant modality below.
If you haven’t watched the video and you’re curious to find out how controlling your submodalities can make you happy, I’ve included the video below. Make sure to let me know what you think of it in the comments below.
Here’s how you can affect your emotional responses using submodality tweaks:
Step 1:
Find a quiet space where you won’t be disturbed.
Step 2:
Identify whether you’d like to intensify a positive emotion or dampen a negative one.
Step 3:
Evoke the memory of the events that triggered this emotion in the past. Make sure it’s a powerful experience that created the most intense version of that emotion you’ve ever felt.
Step 4:
Relive the memory in as much detail as you possibly can. Make sure to incorporate as many senses as you feel comfortable with or can remember experiencing.
Step 5:
Go through the following table and try to notice how many of these elements showed up in your memory. Don’t just notice if they were there, but how they looked, sounded, felt, smelled or tasted. Make sure to pay attention to their gradients and intensities, so you can notice how each one makes you feel and how it affects your perception of the event.
VISUAL SUBMODALITIES |
AUDITORY SUBMODALITIES |
KINAESTHETIC SUBMODALITIES |
OLFACTORY SUBMODALITIES |
GUSTATORY SUBMODALITIES |
Still frame or motion |
Volume (loud or quiet) |
Temperature (hot vs cold) |
Sweet |
Sweet |
3D vs flat |
Cadence (interruptions vs groupings) |
Texture (rough vs smooth) |
Pungent |
Sour |
Colour vs black and white |
Inflection (words marked out from the rest) |
Vibration |
Fresh |
Salty |
Contrast |
Pitch |
Pressure |
Stale |
Spicy |
Saturation |
accent |
Weight (heavy vs light) |
Putrid |
Bitter |
Location (near vs far) |
Location (where is the sound coming from) |
Location (near vs far) |
Chemical |
Tart |
Speed of movement (fast vs slow) |
tempo |
Speed of movement (fast vs slow) |
Burnt |
Savoury |
Focused vs unfocused |
Tonality |
Body position |
Smoky |
Juicy |
Clear vs blurry |
Timbre (quality) |
Gestures |
Animal |
Dry |
size (big or small central object) |
Amount of pauses |
size (big or small) |
Faint |
|
Shape |
Uniqueness of sound |
shape |
Strong |
|
Angle viewed from |
direction |
Density (thick vs thin) |
Mild |
|
Number of pictures |
duration |
Direction of motion |
Distinct |
|
Bright vs dim |
Internal vs external |
Balance |
|
|
Rhythm (steady or intermittent) |
Rhythm (regular vs irregular) |
Rhythm (steady or intermittent) |
|
|
Associated vs disassociated (can you see yourself in the picture or are you looking from your own perspective) |
Harmony vs dissonance |
Internal vs external feeling |
|
|
Framed or panoramic |
Progression |
Strong vs weak |
|
|
Light vs dark |
dynamics |
Tactile vs proprioceptive |
|
|
Size of picture |
phrasing |
Solidity (hard vs soft) |
|
|
Transparency |
Staccato vs legato |
Flexibility vs rigidity |
|
|
Realistic or not |
the voice belongs to you vs someone else |
Consistency |
|
|
Step 6:
Take each element individually and start to change it until you create its opposite. Slowly tweak their intensity to make them stronger and weaker, until you’ve gone through the full spectrum of possibilities for that submodality. What happens when you make these changes? Notice how each one makes you feel. The purpose is to become familiar with exactly which changes trigger a negative response in you and which a positive one.
Step 7:
Continue down the list, noting which of these submodalities changes your emotional intensity the most. Is there anything else that triggers strong feelings that isn’t on the list?
Step 8:
Whether you started with a positive memory or a negative one, make sure to always re-adjust, so that you end your experimentation on a positive note. You can do this either by restoring the memory that was already pleasurable to its initial state or by changing the negative one until it becomes as pleasurable as possible.
Note:
If you’re not a particularly visual person, don’t expect to see the event in picture form. In fact, notice what form the event takes in your imagination, because that will give you important information about your dominant representational system.
Once you’ve tried this method and you feel like it’s a little too hard to implement, ask for my help in the comments below, send me a message, or book a FREE Skype session and I’ll do my best to help you.
If you’d like more Happiness Strategies in video form, subscribe to my YouTube channel. That way you’ll never miss an episode! They come out every Sunday, to make sure you have some time to give it a go.
Until next time, remember: Happiness doesn’t require energy. It requires Strategy.